Movie Review: The Passion of the Christ (Part Three)

This site has never experienced traffic like it has had over the past two days following my review of The Passion of the Christ. At the time of writing this twenty five people have posted comments about the story and I have received many more comments via email. Surprisingly it seems many people agree with my assessments in so far as I say that the movie is the gospel on a macro level but anything but the gospel on the micro level. It seems other people also worry about the way this movie blurs distinctions between Protestant and Catholic, the Bible and Tradition, Scripture and mysticism.

The question I have been pondering since Wednesday is this: how should the church react to this movie? Do believers have a responsibility towards this movie? In light of the movies obvious problems, what do we do? These questions have troubled me deeply.

I have a few thoughts on this I would like to share:

First I would like to say that I harbor no resentment towards Christians who watch this movie and even enjoy it and are inspired by it. That really should go without saying, yet I feel that I should point it out.

God uses weakness. Few people would believe that the events of September 11 were set in motion by God as an opportunity to reach unbelievers. Yet the events did cause people to flock to the churches as they felt pain and sorrow and emptiness. It was a very spiritual time that God used to draw people to Himself. God was able to use a terrible situation for His glory.

In Acts we read about Paul preaching to the Athenians and he did two surprising things. One of them was to quote the popular pagan poetry of the day and use it to help the people understand what he was preaching. The second thing he did was refer to the unknown God. Again, he used paganism to make a point. He did not endorse paganism, yet he used it to meet the people where they were at.

I do believe God can and will use this movie. I find it difficult to believe that the movie in and of itself will bring people to faith, but I do believe it will raise questions and stir hearts. We know that the Holy Spirit begins to stir the hearts of those He calls. He may do so through times of great joy, but more often it is through times of sorrow. This movie stirs the emotions, leaving people sorrowful though they may not know why. Though “weak,” God can use this to draw people to Himself.

If God is stirring the hearts of people through this movie, however weak it may be, is it not our responsibility as Christians to provide answers to people who may be asking questions? We know that the window of opportunity may be short, for hearts that are open close quickly and then become more hardened.

The difficult task for me is reconciling a movie that I believe is filled with blatantly wrong theology with the fact that God may still use it for His glory. How am I to react? To praise the movie without reservation would be wrong, for I cannot, in good conscience, say that this movie accurately presents the story of Jesus’ death. I cannot unreservedly recommend that people see this film. I fear the pragmatism of our day that would say the results will prove this movie to be in line with God’s will, for the Bible clearly shows it is not.

The more I pondered the movie the more I realized that the movie itself was not the source of my despair. Mel Gibson has made a movie that presumably presents an accurate representation of his faith. His faith and my faith stand opposed to each other as the faith of a convinced Catholic and convinced Protestant should. I came to realize that what bothered me most about the film was that person after person has insisted that it represents an unbiased and accurate presentation of the gospels, yet this was simply not the case. The Protestant churches were willing to overlook the obviously anti-Protestant theology in order to use it to reach people. I truly believe for many people the rightness or wrongness of this movie took a back seat to the perceived results.

So what are we to do? We have a terribly flawed movie and yet we know that God may use it.

Certainly we need to be prepared to help people answer the questions they may have. We need to be able to discern what the movie presented accurately and what it did not. We need to encourage people to understand why Jesus had to suffer and die and to explain just who is responsible for His death. We have to face the possibility that we will need to help people understand that much of the movie was fictitious, borrowing from extra-Biblical writing to provide many of the important details of the movie. We need to understand and explain the resurrection, without which this story is incomplete. None of this presupposes that we need to support or endorse the movie – just that we are aware of it and aware of the content.

Perhaps most important is to stand for truth. Realize that this movie is not the Bible. Believe and understand the value of the Scriptures, the written, living, breathing Word of God which isn’t 80% true, isn’t 99% true but is 100% true and absolutely perfect. Ask God to send people with questions in your direction. Ask people if they have seen the movie and ask their thoughts on it. Point them to Word which has the power to do what no movie can.

We do not need to be part of the problem, but we can all be part of the solution. Ultimately we can be part of God’s plan for the furtherance of His kingdom.

Comments (114)

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Anonymous's picture

Hi Tim-You are so right about having the answers and being ready to point people to the Word after they have seen this movie. I have been reminded of the scripture in 2 Timothy 4:2 “Preach the Word; be ready in season and out of season; reprove, rebuke, and exhort, with complete patience and teaching. At our Wed. night Lenten service our Pastor outlined 4 vital points to remember when speaking with people about this movie. (points that have been left out according to what I have read about the movie) 1. Jesus is God in the flesh who willingly comes as a sacrifice. 2.Because we need someone to stand for us before a Holy God, Christ is our substitution. 3. God must punish sin, and Christ bears OUR punishment.4.Christ is the propitiation for our sin,God’s wrath toward us is turned aside…appeased. (You all know the scriptures that teach this.) Just today I was substitute teaching a 10th grade biology class in my son’s Christian school. After a short discussion on deteriorating conditions of the joints… you guessed it…all the kids wanted to talk about was “the movie” Only about 4 out of 12 had seen the movie already. I did, as Tim is suggesting, and asked for thoughts on the movie. Of course the gore was the main thing on their young minds, but when I pressed them on spiritual insights, they showed remarkable maturity for 15 and 16 year olds. They all agreed that the Roman Catholic slant was evident. Some felt that adding anything to the Gospel accounts was ignoring God’s warning in Revelation. Others just felt Mel was taking “artistic license” adding extrabiblical material and that was O.K. A few will not be seeing the movie based on the 2nd commandment. But what I felt very strongly about was sharing biblical truths on how Christ’s physical suffering while horrid, was nothing by comparison to the anguish of having the sins of all His elect imputed to Him. You could see for the first time many of them were able to separate the physical aspect from the spiritual. For the most part these are kids from Christian homes. And they hadn’t thought of this! It was awesome! They thanked me as they left class…and I thanked God for letting speak with them. Thank you all for your many careful thoughts and insights on this movie. Though my husband and I will not be seeing this film, for many of the same reasons some of you won’t, I feel like we are prepared to speak about it with anyone that God may send our way.

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Anonymous's picture

Thank you so much. As a Biblical Christian it was very difficult to watch the Passion and see so many Christians influenced by Rome. Rome seeks to bring us all under its control. Thank you for being a voice of reformed theology.

When I walked out of the movie my first thought was, I have never been so grateful for the Reformation

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Anonymous's picture

Hi Tim,

Thanks for your commentary reviewing the movie and also for your further thoughts on answering questions that may arise from people who watch the film.

For me the Bible is the ultimate authority on all things. Period. From this Book of Life we can plant the seeds of salvation.

I know for me there will be folks coming to me to answer questions after viewing this film. It’s my ministry to show them the truth; from God’s word.

I believe God is at work in many ways we don’t understand and it is my prayer I can be used by my Lord to glorify Him.

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Anonymous's picture

Tim,

Interesting to note the number of responses to your three posts. The second piece drew the most responses. There is no end of commentary on this movie. I sincerely hope however that this is not a reflection of how this movie will rest in history - that people commented on it but that was all. Your third post is the most important. Indeed, how can we participate with God as He uses this movie to His glory? Christians must now delve deeply into their Bibles to be ready to answer questions from seekers. I pray that God will use this movie, slanted as it is, to draw seekers into His presence. Equally, I pray that God would now charge believers with the responsibility of being ready to answer questions. So, we have come full circle and back to where God always wants us to be - in His Word. If this is the result, then the movie was a success. And Tim, as much as I hate pragmatism, perhaps this time it has merit.

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Anonymous's picture

Leslie,

I can only hope and pray that God will use it. If God uses it, it still does not excuse Gibson for making the movie or Protestants for fully endorsing it.

God may use it, but I can never believe that will excuse pragmatism. Pragmatism only has merit when it is fully in line with God’s Word - and this movie is not.

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Anonymous's picture

In my opinion Mel Gibson made the film for the money, nothing else. The world is not prepared to invest in the Gospel. He used his own faith and upbringing to make the movie. That is were the problem lies. We are full of sin and sinful and therefore cannot make a movie on any Biblical subject as Biblical accurate as possible. As soon as we try we make images of God which is in accurate. That is why I feel the Jesus film should never have been made, because Jesus is seen as man never as God.

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Anonymous's picture

Lord I am your servant.Your servant, the son of your handmaid” Psalm 116Read it. I think you’ll see Him there. I believe there’s another reference in psalm 86 as well. Isaiah 53 and the end of 52 also speak of a “suffering servant”. And at the annunciation in Luke, Mary declares herself to be His handmaid. So, just what is it you quibble with? The fact that He was her Son?Read the Passion according to Saint Ann Catherine Emmerich. I found it to be most interesting and thought provoking - worthy of contemplation, particularly the part where she describes what the sins of the Reformation (pride, envy, malice etc.)did to Christ’s body. Starting about page 108.

Blessings in Him.

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Anonymous's picture

Barend screeches:

In my opinion Mel Gibson made the film for the money, nothing else…

Shades of Andy Rooney! Your evidence for this calumny is what? Ironically —or maybe not so ironically?— the only one I’ve seen who’s made this silly accusation was that liberal anti-Christian atheist crank Rooney on “60 Minutes,” despite tons of evidence to the contrary: Long before he even began shooting “The Passion,” everyone in both Hollywood and the media predicted that Gibson’s film would be a huge loser at the box office and that he was wasting his money. He couldn’t even get a distributor until just a few months ago. (Thank you, Newmarket Films!) Even then he admitted himself that he probably wouldn’t even get his costs covered at all, but he also said he didn’t care.

My, oh, my but anti-“Romanism” does make for such strange bedfellows. LOL

The world is not prepared to invest in the Gospel. He used his own faith and upbringing to make the movie. That is were the problem lies. We are full of sin and sinful and therefore cannot make a movie on any Biblical subject as Biblical accurate as possible. As soon as we try we make images of God which is in accurate.

Hmmmmm. In that case, we should stop reading and studying our Bibles altogether since we inevitably visualize what we read in them. Images are images, after all. Makes no difference whether we make them in our mind’s eye or on film, no?

That is why I feel the Jesus film should never have been made, because Jesus is seen as man never as God.

In that case, the Son of God should never have become man in the first place, right? After all, He let countless people see Him “as man” for 33 years.

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Anonymous's picture

This stream of conversation has made very interesting reading - while the media has hyped the Jewish backlash - I never considered a Catholic Protestant backlash.

Can we not recognize a movie for what it is - a movie and not the “real thing.” I would never encourage someone to watch the movie - “Gettysburg” or “Patton” and tell them that it was historically accurate. Rather, they are movies that depict events in American history. They become vehicles - that for the truly knowledgeable will always be inaccurate, but for the novice historian may be the seed that drives them to deeper study.

Let it be known that there will never be a perfectly accurate film based on Scripture. In fact, every sermon ever preached not only bears the Word of God - but also the nuances and bias of the preacher.

Do I fully embrace the differences in theology that separate myself from Mel Gibson - no. But I do applaud his courage in putting the Word of God before culture. (what kind of flack did Cecil B. DeMille receive after the release of the Ten Commandments?)

Is “the Passion” the most important evangelistic tool in the hands of the world today - hardly. But it has more Biblical content than the “Left Behind” series and is more attentive to the Word than anything you’ll see put out by Martin Scorsese.

Hopefully it will cause more people to read the Biblical accounts of the life of Christ - the whole story - and be open to the teaching of the Holy Spirit.

Amen - please pray with me!

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Anonymous's picture

This stream of conversation has made very interesting reading - while the media has hyped the Jewish backlash - I never considered a Catholic Protestant backlash.

Happily, the latter seems to be restricted to just a few folks who seem to think that Satan resides somewhere inside the Piazza S. Pietro di Vaticana. :-)

…Is “the Passion” the most important evangelistic tool in the hands of the world today - hardly. But it has more Biblical content than the “Left Behind” series and is more attentive to the Word than anything you’ll see put out by Martin Scorsese.

AMEN on both counts. Excellent examples! I suppose “The Passion” can be seen as “Catholic propaganda.” Fair ‘nuff. But the “Left Behind” series (which I find enormously intriguing, btw) can be seen as “Dispensationalist propaganda.”

On that note, Scorcese’s ridiculous and blasphemous “Last Temptation of Christ” —which is about as biblical as “The Da Vinci Code” LOL— is most definitely liberal secular humanist propaganda dressed up in phony Catholic/Orthodox sheep’s clothing. YUCK!

Hopefully it will cause more people to read the Biblical accounts of the life of Christ - the whole story - and be open to the teaching of the Holy Spirit.

BINGO! In fact, when Gibson was interviewed by Diane Sawyer, she asked him what he hoped people would do after seeing his movie.

He replied, “I hope they’ll read the Book.”

I don’t think he meant either “The Dolorous Passion” or “A Doctor at Calvary.” :-)

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Anonymous's picture

Hello Tim:

Here in the Philippines, Gibson’s The Passion is yet to be shown in movie houses starting March 31st, in time for the lenten week in April. But several churches here(Conservative Baptists) have already gone as far as sponsoring its premier a week earlier. Before this, the movie have been ‘advertised’ and ‘campaigned’ for quite heavily by groups and individuals of different faiths, in fact so intensely that one begins to suspect there is something not so right about it. Filipinos are a sentimental lot and so you can imagine how such a highly emotional and heart rending portrayal of Jesus’ suffering on the cross could arouse a Christian Filipino’s interest enough to make him willing to see its premier showing at a hefty price of almost 400 times its regular ticket costs in general movie houses.

But that’s beside the point. I read as many reviews about the movie even way back last year and now you can say I am just about ready to plunge in with the others to see it in its premier showing. I like to ‘experience’ what these people said I would experience once the film is shown. I am set about seeing people dumbfounded, teary-eyed and shocked beyond words of guilt. You could say that if this was an advertising gimmick, then kudos to the firm who thought of the progressive way it provoked the interest of the unsuspecting, suprestitious, 90% Catholic country as the Philippines.

The Passion’s effect on the faithful is true not only to Catholics but to Protestants as well. Since we think we know the Scriptures better than the Catholics here, we liked the idea of having the first hand and the last say in endorsing the movie to our own bretheren in our own local congregations and maybe encourage non-members, i.e., Catholics, to see it also ‘so they’d learn’ the truth, forgetting that Gibson is a devout Catholic! I was honestly not bothered by the idea that Gibson is Catholic. But when he began talking about miracles allegedly happening in the shootings of scenes purportedly to give credence to his being ‘annointed’ to have produced the movie and started selling goodies of emblems, I started having this funny feeling inside of me. But, still it was not that strong to stop me from believing in it as if it’s the gospel truth. I even featured it in our church newsletter of which I am editor and kinda endorsed it as if the movie is not something our members should miss. But now that I read your three reviews, I started understanding what were the things that made me feel ‘not so right’ about it and the whole brouhaha surrounding its pre-showing. I also started feeling that I have not been very responsible in endorsing the movie since I did it BEFORE I made a thorough study of the movie and WITHOUT seeing it first to see what I was exactly talking about in my column.

I now appreciate what my congregation meant when it chooses to be very selective of the publications it uses for our Sunday School, the movies it likes to endorse, if ever there is any, persons, writers, artists, professionals it wishes to promote to people as good sources of Biblical teachings. Thanks for the review. Now, my husband and I would see the movie come March 31st in a different light, guided by our fundamental knowledge of who God is and what His Son Jesus did on the Cross for us and humanity as written and described so succinctly in the Bible.

God bless you and your ministry.

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Anonymous's picture

to tim who wrote the article. 1 quite waisting precious internet space with your fatious bull.2. the only reason you wrote this whole article is because you are jealous that you didn’t come up with the idea and script for this movie. you suffer from i wish i were a producer so i could make lots of money envy. get a life and get off the net.

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Anonymous's picture

To John M.Esparolini: “I hope they’ll read the book,” says Gibson after using additives from a Catholic mystic’s imagination to twist and tweak the crucifixion narrative. Now that this bleeding Catholic action-icon is “going to and fro on the earth,” those who’ve been whipped up by the movie will be reading the Word of God with Gibson’s mariolatrous mischief imprinted on their minds.

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Anonymous's picture

Harmon,

I think that is an interesting point. People who have seen the movie and are unfamiliar with the Biblical narrative will have no idea what is true and what is false. It’s easy for those who are believers and know the story to say the additions do not matter, but many people are convinced that the additions are actually part of God’s version of the story.

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Anonymous's picture

…those who’ve been whipped up by the movie will be reading the Word of God with Gibson’s mariolatrous mischief imprinted on their minds.

Good point. In fact, Gibson should re-edit the film to remove Mary entirely.

Better still, all Bible publishers should replace any references to her name with a “______” and re-translate all NT passages which read “mother of Jesus” to “female relative of Jesus.”

Yeppir! Gotta get rid of all that mariolatrous mischief. ;-)

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Anonymous's picture

John M.Esparolini writes, “Yeppir! Gotta get rid of all that mariolatrous mischief. ;-)”

Gibson’s extra-biblical inventions and so-called “plausable embellishments” to the Gospel account are the work of man, not God. The scripture does not have Mary awakening and speaking lines from the Jewish liturgy, examining Jesus’ carpentry skills, being called “Mother” by Peter, kissing a stone floor, seeing Gibson’s custom-made Satan, saying “My son, when, where, how will you choose to be delivered of this,” wiping up Jesus’ blood, rescuing a fallen child or taking Jesus down from the cross. Gibson’s not portraying the biblical Mary but shaping her into a Romanist artifact. The same blasphemous spirit works in Catholicism’s vast wasteland of plastic statues and bleeding heart icons made in the imagined likeness of the ‘Queen of Heaven.’ Strike away the movie’s Catholic “improvements” and you end up with a considerably less Hollywoodian spectacle. Thankfully, Christians don’t need Gibson’s idolatrous abomination but can trust in God’s inerrant, glorious Word for the truth that both honors Mary and exalts the Lord Jesus alone.

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Anonymous's picture

Happily, not all Evangelical and Reformed Christians get tied up into reactionary paranoid knots about Gibson’s sincerely and obviously (unless one has been living in a cave all one’s life!) Catholic embellishments and mistake them for “idolatorous abominations,” especially vis-a-vis Jesus’ much-maligned (at least here) mother:

Read, for example, the following common-sense review of same by PCA minister and writer Jeff Meyer:

What about Mel Gibson’s Roman Catholicism? I was on the lookout for this, especially because of some predictable over-interpretation from certain Reformed folks. One person’s overactive heresy-hunting imagination even managed to see Rome’s distinctive theological explanation of the mass in the scene depicting the Last Supper. I read his critique before I saw the movie. When I saw this scene I almost laughed out loud. Not because the scene was funny, but because I remembered this silly charge. In a flash-back Jesus lifts up the bread as his cross is being lifted up. This is supposed to be the “idolatry” of the mass. Please. But, of course, the reviewer confidently reviewed the movie without seeing it first. Bad move.

Yes, Mary has a prominent place, and there’s more than a little traditional Catholic imagery and symbolism used when she is portrayed. But as far as I could tell there was nothing explicitly Roman about any of this. The worst we get is the disciples referring to Mary as “Mother” at one point. This is, of course, extra-biblical and hardly likely. Besides seeing a bit more of Mary in the movie that we read of her in the Gospel stories about Jesus’ suffering and death, there’s nothing about her being a co-redeemer or mediatrix. No one prays to her. And Jesus hardly acknowledges her presence. Unless one comes with preconceptions there is no Mariolatry in this film.

Interestingly enough, the visual imagery was all quite consistent with the artistic tradition of the church. I noticed that scenes often looked quite similar to well known Medieval and Renaissance paintings. I think this helped stabilize and contextualize the violence in the movie. It also insured that the viewer would not go away with mental images too different than those he has become accustomed to. Nice touch.

Unlike some here, the Rev. Meyers understands what art is and does, and knows the difference between producing a literalistic biblical documentary (which Gibson very publicly said he did NOT do) and putting on film a personal artistic meditation on the suffering and death of the Messiah for the sins of the world (which he very plainly said, over and over again, was his intention).

In that context, it matters not one whit that he drew some of his artistic imagery and symbolism from sources outside of and in addition to Scripture —including Catholic art and tradition.

After all, “the Scripture does not have” Adam and the Father touching index fingers. On such grounds, following Harmon’s “logic,” Michelangelo’s painting “The Creation of Man” is also an “idolatrous abomination.”

Meyer’s review can be read in full here.

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Anonymous's picture

These two paragraphs, written by Meyers, should also have shown up in bold text. Have no idea why they didn’t!:

Yes, Mary has a prominent place, and there’s more than a little traditional Catholic imagery and symbolism used when she is portrayed. But as far as I could tell there was nothing explicitly Roman about any of this. The worst we get is the disciples referring to Mary as “Mother” at one point. This is, of course, extra-biblical and hardly likely. Besides seeing a bit more of Mary in the movie that we read of her in the Gospel stories about Jesus’ suffering and death, there’s nothing about her being a co-redeemer or mediatrix. No one prays to her. And Jesus hardly acknowledges her presence. Unless one comes with preconceptions there is no Mariolatry in this film.

Interestingly enough, the visual imagery was all quite consistent with the artistic tradition of the church. I noticed that scenes often looked quite similar to well known Medieval and Renaissance paintings. I think this helped stabilize and contextualize the violence in the movie. It also insured that the viewer would not go away with mental images too different than those he has become accustomed to. Nice touch.”

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Anonymous's picture

Gibson’s extra-biblical inventions and so-called “plausable embellishments” to the Gospel account are the work of man, not God.

Who in the world ever said it was??? Certainly not Gibson! :-)

On that note, since you bring up the subject of “works of man, not God”: How’s about all them Dispensationalist embellishments in the “Left Behind” novels and movies? Lots of things happen in those which “the Scripture does not have.” I’ll be looking forward to your equally, um, passionate critique of those too. :-)

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Anonymous's picture

John - you should be able to use the strong tag instead of the b to get bold working. I’m not sure why b doesn’t work…

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Anonymous's picture

John M.Esparolini writes, “How’s about all them Dispensationalist embellishments in the “Left Behind” novels and movies?”

The “Left Behind” trash doesn’t attempt to fortify the Gospels with Marian fantasies. Gibson told Zenit, “I’m telling the story as the Bible tells it [a pious lie]. The Gospel is a complete script, and that’s what we’re filming [a viewable lie].” He has expanded what he called “a complete script” into a Catholic gorefest and then says, “The Holy Ghost was working through me on this film, and I was just directing traffic [a blasphemy].”

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Anonymous's picture

The “Left Behind” trash doesn’t attempt to fortify the Gospels with Marian fantasies.

OK, Harmon, aside from a couple of dramatic embellishments (e.g., the table scene; Mary kissing her crucified son’s foot; and the two Marys wiping up Jesus’ spilled precious and holy saving blood —who among us would not do likewise?!?) what “Marian fantasies” are you referring to?

Please be specific.

As Meyer pointed out none of the Catholic Marian doctrines (e.g., Immaculate Conception, Perpetual Virginity, and Assumption) or even Marian theolegoumena (e.g., Co-Mediatrix, Co-Redemptrix) appear anywhere in Gibson’s film.

In fact, the only “Marian fantasies” which appear are perfectly in line with both Scripture (esp. Luke and John) and common sense —namely, the very close and holy mother-son relationship Jesus and Mary shared. Even the most ardently anti-“Romish” Reformers recognized and acknowledged that much!

The only “Marian fantasy” even hinted at in Gibson’s film is the Theotokos doctrine, which all believers have always accepted since the beginning —and should accept unless one is a Nestorian.

So what say you on that point, Harmon? Do you believe that Mary conceived, carried, gave birth to, and nursed Jesus the God-man or only Jesus the man?

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Anonymous's picture

John M.Esparolini writes, “the only ‘Marian fantasies’ which appear are perfectly in line with both Scripture (esp. Luke and John) and common sense.”

Since Catholic embellishments are born from this vague notion of “in line with,” the possibilities for imaginative infections of the Gospel narrative are unlimited. The nine specific instances cited earlier expose the entire film as a Marian fantasy, as Gibson’s 30-million-dollar, bloody crawl through the Stations of the Cross. His Mary speaks the line, “Flesh of my flesh, heart of my heart, my son, let me die with you,” an additive derived from the mystic Emmerich: “the Blessed Virgin, filled with intense feelings of motherly love, entreated her Son to permit her to die with him.” It isn’t found in the divine Word, but it does pump up the Marian fantasy.

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Anonymous's picture

His Mary speaks the line, “Flesh of my flesh, heart of my heart, my son, let me die with you,” an additive derived from the mystic Emmerich: “the Blessed Virgin, filled with intense feelings of motherly love, entreated her Son to permit her to die with him.” It isn’t found in the divine Word, but it does pump up the Marian fantasy.

First of all, Emmerich didn’t invent the notion that Mary was “filled with intense feelings of motherly love” at the sight of the sufferings of her slowly tortured son. Common sense ALONE should tell you that would’ve been the case.

Secondly, since the Incarnated Son drew His human flesh and Davidic blood from His Davidic human mother, He most certainly was “flesh of [her] flesh.” The fact that some Catholic mystic you disapprove of happened to reiterate that ancient orthodox fact does not make it either any less orthodox or any less of a fact.

As for Jesus’ being “heart of [her] heart,” what son or daughter of any mother or father wouldn’t be thought of as such by that his or her parent? Apparently you’re not a father or you wouldn’t have so much trouble grasping that concept.

As for a grieving, heart-broken mother wanting to die with her dying child (or in the place of her child), just talk to any parent who has lost a child and ask him or her what their feelings were at the time.

Once again, what is your answer to the question I posed to you above? Here it is again: Do you believe that Mary conceived, carried, gave birth to, and nursed Jesus the God-man or only Jesus the man?

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Anonymous's picture

John M.Esparolini writes,“Do you believe that Mary conceived, carried, gave birth to, and nursed Jesus the God-man or only Jesus the man?”

Appealing to the authority of “common sense ALONE,” and the issue of Jesus’ Davidic lineage, and the heartbreak of parental loss is a diversion. The point is this—Emmerich’s mystical handle on maternal feeling doesn’t translate into a divine permission to conjure “missing pieces” of the Gospel account which can be used to feed the Catholic cult of Mary.

I believe the Word of God:

And the angel answered and said to her, “The Holy Spirit will come upon you, and the power of the Highest will overshadow you; therefore, also, that Holy One who is to be born will be called the Son of God. (Luke 1:35)And when they had come into the house, they saw the young Child with Mary His mother, and fell down and worshiped Him. (Matthew 2:11) And the Word became flesh and dwelt among us, and we beheld His glory, the glory as of the only begotten of the Father, full of grace and truth. (John 1:14)

These Christ-centered scriptures clearly proclaim Mary’s blessed, human motherhood and the deity of the man Jesus. However, they do not validate Gibson’s appetite for Marian fantasies… an obsession he shares with Jim Caviezel who said: “This film is something that I believe was made by Mary for her Son.”

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Anonymous's picture

John M.Esparolini writes,”Do you believe that Mary conceived, carried, gave birth to, and nursed Jesus the God-man or only Jesus the man?”

Yes, indeed I did. So when are you going to ANSWER that question?

Appealing to the authority of “common sense ALONE,” and the issue of Jesus’ Davidic lineage, and the heartbreak of parental loss is a diversion.

It’s only a “diversion” because it invalidates your implied Gnostic assertion that the Incarnated Son of God was NOT the “flesh of [Mary’s] flesh.”

Moreover, my “appeal to the authority of ‘common sense alone’” was in the context of what Mary’s reaction as a mother would’ve been to seeing the suffering of her child. Are you saying by your non-reply above that this was not the case? If so, on what grounds?

The point is this—Emmerich’s mystical handle on maternal feeling doesn’t translate into a divine permission to conjure “missing pieces” of the Gospel account which can be used to feed the Catholic cult of Mary.

But NO ONE ever said it did!

ONCE AGAIN you completely ignore the fact that what Gibson did, as he said himself (e.g., in the Diane Sawyer interview), was create a PERSONAL artistic meditation on the suffering and death of Jesus drawn from all the Gospels as well as other sources such as historical research (vis. what Roman scourgings and crucifixions really looked like and consisted of), art history, ancient devotional practices (e.g., the Stations of the Cross, which date back to the Patristic period), and the writings of others over the centuries —not just Emmerich alone.

Not ONCE did Gibson claim he was making a documentary, nor even that Emmerich’s alleged visions —from which he drew only some “missing pieces” and purely for dramatic effect— were documentaries.

I believe the Word of God:

And the angel answered and said to her, “The Holy Spirit will come upon you, and the power of the Highest will overshadow you; therefore, also, that Holy One who is to be born will be called the Son of God. (Luke 1:35)

And when they had come into the house, they saw the young Child with Mary His mother, and fell down and worshiped Him. (Matthew 2:11)

And the Word became flesh and dwelt among us, and we beheld His glory, the glory as of the only begotten of the Father, full of grace and truth. (John 1:14)

I’m glad you believe the Word of God. But I suspect that you haven’t the slighest idea what it’s telling you since you can’t answer a simple question, based on those very same passages, which I posed to you at least TWICE so far.

These Christ-centered scriptures clearly proclaim Mary’s blessed, human motherhood and the deity of the man Jesus. However, they do not validate Gibson’s appetite for Marian fantasies… an obsession he shares with Jim Caviezel who said: “This film is something that I believe was made by Mary for her Son.”

There you go again with the “Marian fantasies.”

So far the only “Marian fantasies” you’ve been able to point out in this film is that Mary and Jesus loved each other and that they shared a deep mother-and-son bond. Yep, sure sound like “Marian fantasies” to me. LOL

As for the quote you attribute to Caviezel, since you provide no reference, much less any context —just as you do with quotes you attribute to Gibson— I have no idea what he (allegedly) meant by it. So how’s about giving us some links to the actual sources from which you quote?

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Anonymous's picture

John M.Esparolini writes,“Do you believe that Mary conceived, carried, gave birth to, and nursed Jesus the God-man or only Jesus the man?”

On March 9, 2004 11:48 PM Harmon Gottlieb wrote, “I believe the Word of God:

And the angel answered and said to her, “The Holy Spirit will come upon you, and the power of the Highest will overshadow you; therefore, also, that Holy One who is to be born will be called the Son of God. (Luke 1:35)

And when they had come into the house, they saw the young Child with Mary His mother, and fell down and worshiped Him. (Matthew 2:11)

And the Word became flesh and dwelt among us, and we beheld His glory, the glory as of the only begotten of the Father, full of grace and truth. (John 1:14)

These scriptures address the statement, “that Mary conceived, carried, gave birth to, and nursed Jesus the God-man.” Explain: 1) why they do not answer the question, and 2) how they imply the “Gnostic assertion that the Incarnated Son of God was NOT the ‘flesh of [Mary’s] flesh.’”

John M.Esparolini writes, “So far the only “Marian fantasies” you’ve been able to point out in this film is that Mary and Jesus loved each other and that they shared a deep mother-and-son bond. Yep, sure sound like “Marian fantasies” to me. LOL

On March 8, 2004 02:38 PM Harmon Gottlieb wrote, “The scripture does not have Mary awakening and speaking lines from the Jewish liturgy, examining Jesus’ carpentry skills, being called “Mother” by Peter, kissing a stone floor, seeing Gibson’s custom-made Satan, saying “My son, when, where, how will you choose to be delivered of this,” wiping up Jesus’ blood, rescuing a fallen child or taking Jesus down from the cross.” God’s Word affirms the mother-son bond without these extra-scriptural fantasies drawn from the Marian cult.

John M.Esparolini writes, “So how’s about giving us some links to the actual sources from which you quote?

Interview: Jim and Kerri Caviezel, and Mel Gibson’s “The Passion of the Christ” http://www.medjugorje.hr/Int%20Caviezel%20ENG.htm

A “PERSONAL artistic meditation” on the Stations of the Cross which follows, somewhat, a sequence lifted from the Gospels is nothing more than that—a personal vehicle for Gibson’s mariolatry.

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Anonymous's picture

These scriptures address the statement, “that Mary conceived, carried, gave birth to, and nursed Jesus the God-man.” Explain: 1) why they do not answer the question,…

Because merely parroting Bible verses without telling me what YOU think they mean is NOT the same thing as answering the question. Capiche?

…and 2) how they imply the “Gnostic assertion that the Incarnated Son of God was NOT the ‘flesh of [Mary’s] flesh.’”

I never said that. I said that your objection to Mary’s line in Gibson’s film —“flesh of my flesh, heart of my heart”— implies the Gnostic assertion that the Incarnated Son did not derive His flesh and blood from her.

Interview: Jim and Kerri Caviezel, and Mel Gibson’s “The Passion of the Christ” http://www.medjugorje.hr/Int%20Caviezel%20ENG.htm

Thanks for the URL. I’ll read it and get back to you on it.

Harmon Gottlieb wrote, “The scripture does not have Mary awakening and speaking lines from the Jewish liturgy, examining Jesus’ carpentry skills, being called “Mother” by Peter, kissing a stone floor, seeing Gibson’s custom-made Satan, saying “My son, when, where, how will you choose to be delivered of this,” wiping up Jesus’ blood, rescuing a fallen child or taking Jesus down from the cross.”

Uh, Harmon, that “fallen child” is supposed to be the child Jesus. You seem to be the only person I’ve come across who didn’t get that. Btw, the Apostle Paul once referred to Rufus’ mother as his mother, too. Obviously he did so out of respect and/or affection for her. The last time I looked, there was nothing “unbiblical” about that either.

Nevertheless, this statement of yours has GOT to be the silliest exercise in pedantic nit-picking I’ve seen yet on this forum. What in the world makes any of these examples “unbiblical”? Merely the fact that they don’t appear in the Bible???

I hope that’s not what your “argument” is, you have GOT to be kidding! The Bible also says nothing about Jesus dancing at the wedding feast of Cana. Yet an earlier Jesus film —“Jesus of Nazareth,” as I recall— has Him doing just that. Are you going to be intellectually consistent and condemn that artistic embellishment also?

I’d like to think that you’re smarter than that: As I said once before, Scripture doesn’t have God and Adam touching index fingers. Are you also going to argue therefore that this makes Michelangelo’s famous Sistine Chapel painting “unbibical”???

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Anonymous's picture

John M.Esparolini writes, “…merely parroting Bible verses without telling me what YOU think they mean is NOT the same thing as answering the question. Capiche?

But the Catholic parrot, it seems, has a problem with the all-sufficiency of God’s Word (2Timothy 3:16). If one believes scripture, and scripture directly answers a question, why should it create disatisfaction, seeing that whatever meaning one “thinks” will be measured, finally, by the scripture.

I said that your objection to Mary’s line in Gibson’s film —“flesh of my flesh, heart of my heart”— implies the Gnostic assertion that the Incarnated Son did not derive His flesh and blood from her.”

How is Gnosticism even remotely implied in stating that Emmerich’s ecstatic invention “isn’t found in the divine Word, but it does pump up the Marian fantasy” ?

Uh, Harmon, that “fallen child” is supposed to be the child Jesus. You seem to be the only person I’ve come across who didn’t get that. Btw, the Apostle Paul once referred to Rufus’ mother as his mother, too. Obviously he did so out of respect and/or affection for her. The last time I looked, there was nothing “unbiblical” about that either.”

Well, duh! :-) Grabbing the ‘fallen child=Jesus’ thing is sheer desperation—much like the escape through Paul’s “mother” metaphor—or is this a twisted Catholic way of saying that Rufus’ and Paul’s mother was Mary?

Are you also going to argue therefore that this makes Michelangelo’s famous Sistine Chapel painting “unbibical”???

The Sistine Chapel painting occupies the same level of open-ended ‘biblicalness’ as “The Last Temptation of Christ.” Kazantzakis, after all, believed “that part of Christ’s nature which was profoundly human helps us to understand him and love him and to pursue his Passion as though it were our own,” and Scorsese claimed, “I believe that Jesus is fully divine.” So, the big “creative” can you open for your dancing Jesus, Emmerich’s mystical supplements and Gibson’s marian fantasies is the same one that Kazantzakis and Scorsese eat from.

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Anonymous's picture

But the Catholic parrot, it seems, has a problem with the all-sufficiency of God’s Word (2Timothy 3:16). If one believes scripture, and scripture directly answers a question, why should it create disatisfaction, seeing that whatever meaning one “thinks” will be measured, finally, by the scripture.

The Arians invoked the very same “argument” at Nicea. They were against the orthodox definition of Christ’s divinity, as well as the Trinitarian formula, on the grounds that the orthodox Christians (i.e., the “Catholics”) were going “outside Scripture” by adopting terms borrowed from Greek philosophy.

So are you referring to Scripture’s material all-sufficiency or formal all-sufficiency? There’s a mighty big difference, y’know.

And in what sense and context? The Bible does not “directly answer” all questions on all issues, after all.

For example, whether abortion is murder or mere manslaughter. Or which books really belong in the NT canon.

Those issues are and were settled thru extra-biblical means using extra-biblical resources in addition to the biblical texts.

How is Gnosticism even remotely implied in stating that Emmerich’s ecstatic invention “isn’t found in the divine Word, but it does pump up the Marian fantasy” ?

You implied a lot more than that, Harmon. You implied that the “flesh of my flesh” line was false, not merely missing from Scripture.

Well, duh! :-) Grabbing the ‘fallen child=Jesus’ thing is sheer desperation—much like the escape through Paul’s “mother” metaphor—…

Um, are you saying that the child in the flashback is not Jesus? And what “escape” would Paul’s “metaphor” have provided? Please explain these confusing replies.

…or is this a twisted Catholic way of saying that Rufus’ and Paul’s mother was Mary?

HUH??? How in the world did you derive that meaning from what I wrote???

The Sistine Chapel painting occupies the same level of open-ended ‘biblicalness’ as “The Last Temptation of Christ.” Kazantzakis, after all, believed “that part of Christ’s nature which was profoundly human helps us to understand him and love him and to pursue his Passion as though it were our own,” and Scorsese claimed, “I believe that Jesus is fully divine.”

ROTFLMBO!!! So Michelangelo equals Martin Scorcese??? Too much! Either Michelangelo is rolling in his grave at Mach speed, or Scorcese just got promoted to the rank of “genius.”

So, the big “creative” can you open for your dancing Jesus, Emmerich’s mystical supplements and Gibson’s marian fantasies is the same one that Kazantzakis and Scorsese eat from.

REALLY??? Gee, and all this time I thought they ate from entirely different cans. :-)

Harmon, one thing I’ll say for you: You’re enormously entertaining. :-)

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Anonymous's picture

Based on some of the ridiculously nitpicking caterwauling on this forum over Gibson’s artistic license in his film, one would think that “The Passion of the Christ” was the only Jesus film ever produced.

Either that or the naysayers and nitpickers here must think that Cecille B. DeMille’s 1922 epic “King of Kings” was a literal, shot-by-shot depiction of what really happened.

This entire debate reminds me of a famous saying: “A foolish consistency is the hobgoblin of little minds.”

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Anonymous's picture

John M.Esparolini writes, “The Arians invoked the very same “argument” at Nicea. They were against the orthodox definition of Christ’s divinity, as well as the Trinitarian formula, on the grounds that the orthodox Christians (i.e., the “Catholics”) were going “outside Scripture” by adopting terms borrowed from Greek philosophy.

So are you referring to Scripture’s material all-sufficiency or formal all-sufficiency? There’s a mighty big difference, y’know.

And in what sense and context? The Bible does not “directly answer” all questions on all issues, after all.

For example, whether abortion is murder or mere manslaughter. Or which books really belong in the NT canon.

Those issues are and were settled thru extra-biblical means using extra-biblical resources in addition to the biblical texts.”

What does this obfuscating trip through Nicea, material or formal all-sufficiency and contextuality have to do with the scripture’s full and satisfactory answer to your question?

You implied that the “flesh of my flesh” line was false, not merely missing from Scripture.

Show us the offending text, and then explain how it implies “that the ‘flesh of my flesh’ line was false, not merely missing from Scripture.”

ROTFLMBO!!! So Michelangelo equals Martin Scorcese??? Too much! Either Michelangelo is rolling in his grave at Mach speed, or Scorcese just got promoted to the rank of “genius.”

Michaelangelo equals Scorsese equals Gibson because they all dip into scripture to produce artifacts that fade away. Michaelangelo’s work is no more “biblical” than Scorsese’s or Gibson’s. None of it can improve, replace or illuminate the Word of God.

Harmon, one thing I’ll say for you: You’re enormously entertaining. :-)

And then there’s the eternity you could spend with marian Mel Gibson, being endlessly entertained by the “artistic license” in his horror-flic parody of truth.

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Anonymous's picture

What does this obfuscating trip through Nicea, material or formal all-sufficiency and contextuality have to do with the scripture’s full and satisfactory answer to your question?

=sigh= Nothing. But that wasn’t either my point or my question, was it?

Show us the offending text, and then explain how it implies “that the ‘flesh of my flesh’ line was false, not merely missing from Scripture.”

Okey-dokey. Here goes:

(Harmon): His Mary speaks the line, “Flesh of my flesh, heart of my heart, my son, let me die with you,” an additive derived from the mystic Emmerich: “the Blessed Virgin, filled with intense feelings of motherly love, entreated her Son to permit her to die with him.” It isn’t found in the divine Word, but it does pump up the Marian fantasy.

Obviously, this means that Gibson’s “Marian fantasy” includes the proposition that the Incarnated Son of God was “flesh of [Mary’s] flesh.” If that proposition is part of a fantasy then it necessary follows that it too is a fantasy, which in turn amounts to a tacit denial of the Incarnation. That places your Christology within the Gnostic camp and in opposition to the very NT passages you quote as allegedly representing your position.

Michaelangelo equals Scorsese equals Gibson because they all dip into scripture to produce artifacts that fade away. Michaelangelo’s work is no more “biblical” than Scorsese’s or Gibson’s. None of it can improve, replace or illuminate the Word of God.

Who said that it can or should? Not I. Not Gibson. Not Michelangelo. And most certainly not Scorcese. By that “logic,” all Christian music should also be done away with unless it consists of Bible passages, and only Bible passages.

And then there’s the eternity you could spend with marian Mel Gibson, being endlessly entertained by the “artistic license” in his horror-flic parody of truth.

I wouldn’t be so presumptuous if I was you, friend. You might be in for quite a rude awakening on Judgment Day.

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Anonymous's picture

In an earlier post, Harmon observes:

These Christ-centered scriptures clearly proclaim Mary’s blessed, human motherhood and the deity of the man Jesus. However, they do not validate Gibson’s appetite for Marian fantasies… an obsession he shares with Jim Caviezel who said: “This film is something that I believe was made by Mary for her Son.”

Here is Caviezel’s quote (in bold) in its context:

…I dedicate my work to Her Son, I dedicate all that I do to Her Son. I ask Mary to guide me and my career. You can convert people only by living your life. This film is something that I believe was made by Mary for her Son. Because it was made by her, it will be attacked by the enemy. In the USA, this film is under major scrutiny because of the truth that it brings. By living the truth, you will also be persecuted, the enemy will attack you, but have no fear, Our Lord will send his help and give you strength. And you will inherit heaven.”

I fail to see where Caviezel was doing anything more than expressing his personal feelings on the matter. He wasn’t making a doctrinal or factual statement, much less designating Mary as the film’s director, screenwriter, and producer.

His sentiment may be right or it may be mistaken, but it’s only a sentiment and nothing more. No one has to agree with it (I don’t).

Once again, Harmon tries to make Mount Fuji out of a humble mole hill. :-)

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Anonymous's picture

What does this obfuscating trip through Nicea, material or formal all-sufficiency and contextuality have to do with the scripture’s full and satisfactory answer to your question? ”

John M.Esparolini writes,“=sigh= Nothing. But that wasn’t either my point or my question, was it?”

The scripture answered your question—so what is your point?

Show us the offending text, and then explain how it implies “that the ‘flesh of my flesh’ line was false, not merely missing from Scripture.

Okey-dokey. Here goes:

(Harmon): His Mary speaks the line, “Flesh of my flesh, heart of my heart, my son, let me die with you,” an additive derived from the mystic Emmerich: “the Blessed Virgin, filled with intense feelings of motherly love, entreated her Son to permit her to die with him.” It isn’t found in the divine Word, but it does pump up the Marian fantasy.

Obviously, this means that Gibson’s “Marian fantasy” includes the proposition that the Incarnated Son of God was “flesh of [Mary’s] flesh.” If that proposition is part of a fantasy then it necessary follows that it too is a fantasy, which in turn amounts to a tacit denial of the Incarnation. That places your Christology within the Gnostic camp and in opposition to the very NT passages you quote as allegedly representing your position.”

Awesome casuistry(!) …the way you force-feed Gnosticism into the observation that a) the incident (and the line) is not found in the divine Word, and that b) Gibson has imported this Emmerichia into his film to pump up his Marian fantasy.

By that “logic,” all Christian music should also be done away with unless it consists of Bible passages, and only Bible passages.

That’s your “logic.” Painters, film-makers and musicians—faithful and faithless—can do whatever they want—pretty or ugly—with scriptural material. However, trying to hang the divine seal from any of it is blasphemy. Mariolater Gibson claims “The Holy Ghost was working through me on this film, and I was just directing traffic,” and his Jesus, Jim “humble molehill” Caviezel, says, “This film is something that I believe was made by Mary for her Son.”

And then there’s the eternity you could spend with marian Mel Gibson, being endlessly entertained by the “artistic license” in his horror-flic parody of truth.

I wouldn’t be so presumptuous if I was you, friend. You might be in for quite a rude awakening on Judgment Day.

Gibson’s bleeding Catholic action-icon and its defenders have already been condemned by the Word of God. Judgment Day holds no terror for those who trust God’s promise: “In Him you also trusted, after you heard the word of truth, the gospel of your salvation; in whom also, having believed, you were sealed with the Holy Spirit of promise, who is the guarantee of our inheritance until the redemption of the purchased possession, to the praise of His glory.” (Ephesians 1:13,14)

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Anonymous's picture

(Me): Obviously, this means that Gibson’s “Marian fantasy” includes the proposition that the Incarnated Son of God was “flesh of [Mary’s] flesh.” If that proposition is part of a fantasy then it necessary follows that it too is a fantasy, which in turn amounts to a tacit denial of the Incarnation. That places your Christology within the Gnostic camp and in opposition to the very NT passages you quote as allegedly representing your position.”

(Harmon): Awesome casuistry(!) …the way you force-feed Gnosticism into the observation that a) the incident (and the line) is not found in the divine Word, and that b) Gibson has imported this Emmerichia into his film to pump up his Marian fantasy.

No, I “force-fed” Gnosticism into your implied “observation” that the line itself is false because it “is not found in the divine Word.”

First of all, just because the words “flesh of my flesh” do not appear in the Bible, it does not necessarily follow that the concept itself does not appear in the Bible. The word “Trinity” doesn’t appear in the Bible either, but “by good and necessary consequence [it] may be deduced from Scripture” (as the original Westminster Confession puts it) that God is three Persons. Likewise the nature and substance of the Son’s Incarnation and Mary’s actual role in that process.

Scripture —including the passages you quote— plainly tells us (explicitly) that the Son took on a human nature and (implicitly, “by good and necessary consequence”) that He obtained that nature from Mary, that she was His mother in every sense of the word because she conceived Him.

Second, since you seem to deny that Jesus’ human nature came from Mary —i.e., that He was (and remains) “flesh of [her] flesh” (which fact Scripture clearly alludes to!)— that is where the Gnosticism lies:

You can’t reject the biblical reality that the Son derived His human nature from Mary on the one hand, yet accept the biblical reality of the Son’s Incarnation on the other, for the two realities are inextricably linked. Bottom line: You can’t have it both ways.

Gibson’s bleeding Catholic action-icon and its defenders have already been condemned by the Word of God.

But only as that Word is interpreted by Jack Chick. ;-)

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Anonymous's picture

(Clarification: By “just because the words ‘flesh of my flesh’ do not appear in the Bible,” I mean as being spoken by Mary to Jesus. Of course, that same phrase was spoken by Adam in response to God’s creation of Eve.)

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Anonymous's picture

John M.Esparolini writes, “No, I ‘force-fed’ Gnosticism into your implied ‘observation’ that the line itself is false because it “is not found in the divine Word.”

You’re crashing around in the darkness of the “implied,” desperate to get your Gnosticism label to stick. The verity or falsity of the line was never an issue. The line does not appear in the crucifixion account from God’s Word, but Mel uses it to fatten the marian content of his movie. It’s that simple—with no place for your Gnosticism.

First of all, just because the words “flesh of my flesh” do not appear in the Bible, it does not necessarily follow that the concept itself does not appear in the Bible. The word “Trinity” doesn’t appear in the Bible either, but “by good and necessary consequence [it] may be deduced from Scripture” (as the original Westminster Confession puts it) that God is three Persons. Likewise the nature and substance of the Son’s Incarnation and Mary’s actual role in that process.”

The lesson in “good and necessary consequence” is unnecessary and inconsequential because scripture has already clearly stated “Mary’s actual role in that process”: “And the angel answered and said to her, ‘The Holy Spirit will come upon you, and the power of the Highest will overshadow you; therefore, also, that Holy One who is to be born will be called the Son of God.’”

Scripture —including the passages you quote— plainly tells us (explicitly) that the Son took on a human nature and (implicitly, “by good and necessary consequence”) that He obtained that nature from Mary, that she was His mother in every sense of the word because she conceived Him.”

And so?

Second, since you seem to deny that Jesus’ human nature came from Mary —i.e., that He was (and remains) “flesh of [her] flesh” (which fact Scripture clearly alludes to!)— that is where the Gnosticism lies:”

Seem to deny”? Only in your Catholic confusion. Certainly not in the quoted scripture which, once again, says, “And the angel answered and said to her, ‘The Holy Spirit will come upon you, and the power of the Highest will overshadow you; therefore, also, that Holy One who is to be born will be called the Son of God.’”

You can’t reject the biblical reality that the Son derived His human nature from Mary on the one hand, yet accept the biblical reality of the Son’s Incarnation on the other, for the two realities are inextricably linked. Bottom line: You can’t have it both ways.

Can’t reject” and didn’t. Bottom line for Catholicism: the inextricable linkage of these two realities: mother-human is to Jesus-human as Jesus-God is to mother-God. That’s how your ‘Queen of Heaven’ dogma gets its mojo (Jeremiah 7:18).

Gibson’s bleeding Catholic action-icon and its defenders have already been condemned by the Word of God.”

But only as that Word is interpreted by Jack Chick. ;-)”

So you actually name your chickens?!

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Anonymous's picture

You’re crashing around in the darkness of the “implied,” desperate to get your Gnosticism label to stick. The verity or falsity of the line was never an issue. The line does not appear in the crucifixion account from God’s Word, but Mel uses it to fatten the marian content of his movie. It’s that simple—with no place for your Gnosticism.

Well, interpretations are like noses: Everyone has them.

The only “fattening”of the Marian content I see in that line —“flesh of my flesh”— is an affirmation of the ancient Christian consensus of Mary as Theotokos (“God-bearer’) in opposition to the Nestorian teaching of Mary as Christokos (“Christ-bearer”) which was condemned at Ephesus in 431 AD as heresy by the orthodox Christians specifically because it was a tacit denial of the Incarnation.

Flesh of [Mary’s] flesh” is therefore nothing more than a reiteration and confirmation of the doctrine of the Incarnation —which doctrine one MUST accept if one is going to call oneself a Christian. The line has little or nothing to do with any of the specifically Catholic Marian dogmas (e.g., Immaculate Conception, Assumption, Perpectual Virginity), two of which are shared by the Orthodox Churches.

SEEM to deny”? Only in your Catholic confusion. Certainly not in the quoted scripture which, once again, says, “And the angel answered and said to her, ‘The Holy Spirit will come upon you, and the power of the Highest will overshadow you; therefore, also, that Holy One who is to be born will be called the Son of God.’”

Can’t reject” and didn’t….

I take this to mean, then, that you accept the Theotokos (“God-bearer”) doctrine. You could have said so three exchanges ago. :-)

…Bottom line for Catholicism: the inextricable linkage of these two realities: mother-human is to Jesus-human as Jesus-God is to mother-God. That’s how your ‘Queen of Heaven’ dogma gets its mojo (Jeremiah 7:18)

Nonsense:

(1) The Catholic, Orthodox, and historic Protestant view (e.g., Luther and Calvin) is virgin-mother-human is to Jesus-the-God-man as any-human is to his/her mother-human. The orthodox, biblical doctrine is that Mary conceived Jesus the God-man, not just Jesus the man.

(2) The “Queen of Heaven” dogma —shared by the Eastern Orthodox Churches, btw— does not get its “mojo” from the Baalist paganism referred to in Jer. 7:18. (For one thing, there is no practice by either the Catholics or the Orthodox of making and offering cakes to Mary. LOL) It gets its “mojo” from the fact that Mary was and remains the mother of the last of the Davidic kings. In ancient Israel, the King’s mother rather than his wife held the position of gebirah (“Queen,” “Queen-Mother”) and sat at his right hand (cf., for example, 1 Kings 2: 13-21 vis Bathsheba’s position and office in her son King Solomon’s court).

One OT verse which refers to the gebirah is:

Say to the king and the queen-mother, ‘Take a lowly seat, For your beautiful crown Has come down from your head.’” (Jer. 13:18, NASB)

On this passage, John Calvin wrote:

The Prophet is here bidden to address his discourse directly to King Jehoiakim and his mother; for the term lady is not to be taken for the queen, the wife of Jehoiakim, but for his mother, who was then his associate in the kingdom, and possessed great authority….” (Complete Commentaries, Volume 18, Calvin Translation Society edition)

The International Standard Bible Encyclopedia (a non-Catholic source, btw) notes the following:

The gebhirah, or queen mother, occupied a position of high social and political importance; she took rank almost with the king. When Bath-sheba, the mother of Solomon, desired “to speak unto him for Adonijah,” her son “rose up to meet her, and bowed himself unto her, and sat down on his throne, and caused a throne to be set for the king’s mother; and she sat on his right hand” (1 Kings 2:19). And again, in 2 Kings 24:15, it is expressly stated that Nebuchadnezzar carried away the king’s mother into captivity; Jeremiah calls her gebhirah ( 29:2). The king was Jehoiachin (Jeconiah, Jeremiah 29:2), and his mother’s name was Nehushta (2 Kings 24:8). This was the royal pair whose impending doom the prophet was told to forecast (Jeremiah 13:18). Here again the queen mother is mentioned with the king, thus emphasizing her exalted position. Now we understand why Asa removed Maacah his (grand?)mother from being queen (queen mother), as we are told in 1 Kings 15:13 (compare 2 Chronicles 15:16). She had used her powerful influence to further the cause of idolatry….

…the political importance of the gebhirah is illustrated by the fact that in the Books of Kings, with two exceptions, the names of the Jewish kings are recorded together with those of their respective mothers;…

You can read the entire article here:

http://bibletools.org/index.cfm/fuseaction/Def.show/RTD/ISBE/Topic/Queen%20Mother

So the Catholic and Eastern Orthodox position of Mary as gebirah (“Queen”) of Heaven (King Jesus’ court) is little more than a logical extension of what Scripture tells us in the Old Testament.

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Anonymous's picture

You’re crashing around in the darkness of the “implied,” desperate to get your Gnosticism label to stick. The verity or falsity of the line was never an issue. The line does not appear in the crucifixion account from God’s Word, but Mel uses it to fatten the marian content of his movie. It’s that simple—with no place for your Gnosticism.

Well, interpretations are like noses: Everyone has them.

Not everyone has your nose for the Gnostic.

Flesh of [Mary’s] flesh” is therefore nothing more than a reiteration and confirmation of the doctrine of the Incarnation —which doctrine one MUST accept if one is going to call oneself a Christian.

Ah…you found the “Incarnation Doctrine Test” hidden in Gibson’s marian script!

The line has little or nothing to do with any of the specifically Catholic Marian dogmas (e.g., Immaculate Conception, Assumption, Perpectual Virginity), two of which are shared by the Orthodox Churches.

Would you expect Morgenstern Mary to recite dogma from “The Catechism” ? Once again, the incident offering the words, “Flesh of my flesh, heart of my heart, my son, let me die with you,” was an Emmerich fiction imported by Gibson into the Gospel he claimed he was following.

I take this to mean, then, that you accept the Theotokos (“God-bearer”) doctrine. You could have said so three exchanges ago. :-)

One post after your question I cited the answer provided by God’s Word in Luke 1:35, Matthew 2:11 and John 1:14, but you were too busy with the Gnostic-hunt to recognize it.

(1) The Catholic, Orthodox, and historic Protestant view (e.g., Luther and Calvin) is virgin-mother-human is to Jesus-the-God-man as any-human is to his/her mother-human. The orthodox, biblical doctrine is that Mary conceived Jesus the God-man, not just Jesus the man.

And what does this do for Gibson’s Hollywood/religious flic? It allows him to marianize the Gospel. It produces “a gift from Mary to her Son.”

One OT verse which refers to the gebirah is: “Say to the king and the queen-mother, ‘Take a lowly seat, For your beautiful crown Has come down from your head.’” (Jer. 13:18, NASB)

Nonsense. This “gebirah” ploy only works for your marian eisegesis.

The Christ-replacing spirit that feeds Gibson’s gorgeous rendering of marian heresy is revealed in the The Glories of Mary (Tan Books, 1982) by Alphonsus de Liguori— “saint” and “doctor of the Church”:

All power is given to thee in heaven and on earth, and nothing is impossible to thee, who canst raise those who are in despair to the hope of salvation.” (p.154)

Thou art the Mother of God, and all-powerful to save sinners, and with God thou needest no other recommendation; for thou art the Mother of true life.” (p.155)

At the command of Mary, all obey, even God.” (p.155)

Yes, Mary is omnipotent.” (p.155)

God has placed the whole Church, not only under the patronage, but even under the dominion of Mary.” (p.155)

This great Virgin, who is the Mother of your God and Judge, is also the Advocate of the whole human race : fit for this office, for she can do what she wills with God.” (p.171-172)

We often more quickly obtain what we ask by calling on the name of Mary than by invoking that of Jesus.” (p.228)

The whole trinity, O Mary, gave thee a name after that of thy Son above every other name, that in thy name every knee should bow, of things in heaven, on earth, and under the earth.” (p.234)

Beware lest any man spoil you through philosophy and vain deceit, after the tradition of men, after the rudiments of the world, and not after Christ.” —Colossians 2:8

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Anonymous's picture

Nonsense. This “gebirah” ploy only works for your marian eisegesis.

Sez you.

Did you even READ the material I provided to suppport it???

Instead of just casually dismissing my argument and evidence —the latter of which is from Protestant sources in addition to Scripture!— how’s about actually addressing yourself to it and presenting a rebuttal of my alleged, so-called “eisegesis”?

That oughta be good. I can hardly wait. :-)

The Christ-replacing spirit that feeds Gibson’s gorgeous rendering of marian heresy is revealed in the The Glories of Mary (Tan Books, 1982) by Alphonsus de Liguori— “saint” and “doctor of the Church”: [quotes snipped to save space]

(1) WHERE in Gibson’s film does he include anything reflecting any of Ligouri’s Marian theolegoumena (theological opinions) which you quoted?

Please give us some examples.

(2) As for Ligouri’s views about, so what???

Unless and until the Magisterium of the Catholic Church defines any theolegoumenon (Ligouri’s included) as a doctrine or a dogma, it does not qualify as a teaching of the Catholic Church. This applies even to Saints and Doctors of the Church.

For example, St. Thomas Aquinas —another Doctor of the Church— wrote many kinds of things which do not qualify as Catholic teaching. He also rejected other then-theolegoumena which later became defined as dogmas. One of them was the Immaculate Conception. St. Augustine, another Doctor of the Church, taught that unbaptized infants went to Hell. The Church rejected that view while still honoring St. Augustine with that title.

Bottom line: The fact that so-and-so has been named as a “Saint” and “Doctor of the Church” does not mean that the Church endorses each and every item they ever uttered.

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Anonymous's picture

Ah…you found the “Incarnation Doctrine Test” hidden in Gibson’s marian script!

Nope. Found it long ago in Athanasius’ On the Incarnation and in the decrees of the First Council of Nicea (325 AD) against the Arians and the Council of Ephesus (431 AD) against the Nestorians.

THEY —not I, or Gibson— made the Incarnation of the Son of God a test of orthodoxy to smoke out the Gnostics in the Church.

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Anonymous's picture

OOPS! Left off my ID.

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Anonymous's picture

Harmon invokes St. Paul against my gebirah argument thus:

Beware lest any man spoil you through philosophy and vain deceit, after the tradition of men, after the rudiments of the world, and not after Christ.” —Colossians 2:8

Now that’s eisegesis.

I can hear poor ol’ Paul spinning in his grave right now. LOL

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Anonymous's picture

Not everyone has your nose for the Gnostic.

Apparently not. ;-)

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Anonymous's picture

Nonsense. This “gebirah” ploy only works for your marian eisegesis.

Sez you.

No, “sez” your marian eisegesis.

Did you even READ the material I provided to suppport it???

Yes, and there’s nothing (except for what you’ve read into it) to connect those “mother-queen” observations to that ornate, mariolatrous entity which Catholics call “the Queen of Heaven.”

Instead of just casually dismissing my argument and evidence —the latter of which is from Protestant sources in addition to Scripture!— how’s about actually addressing yourself to it and presenting a rebuttal of my alleged, so-called “eisegesis”?

Your Protestant pass is useless. You haven’t yet formed an argument to rebut, so the “evidence,” as you call it, just talks to itself. You also bypassed the same site’s negative “Queen of Heaven” article.

(1) WHERE in Gibson’s film does he include anything reflecting any of Ligouri’s Marian theolegoumena (theological opinions) which you quoted?

Please give us some examples.

Examples of what? Again, you want actors quoting de Liguori? Gibson, himself, has stated, “The film is so Marian”; and his Jesus, Jim Caviezel, has the heartfelt conviction (personal, but totally Catholic) that this marian opus is “a gift from Mary to her Son.” The entire film is cooked in mariolatry.

(2) As for Ligouri’s views about, so what???

Bottom line: The fact that so-and-so has been named as a “Saint” and “Doctor of the Church” does not mean that the Church endorses each and every item they ever uttered.

Your “Bottom line” fades because de Liguori’s dejecta has flowed freely through generations of Catholic laity. The quotes, moreover, are in-your-face testimonials to the official preeminence of the dogma he glorifies. The worshipful non-worship of Hyperdulia Mary is not just de Liguori’s obsession, but it remains in perpetual, screaming need of papal life-support; see Redemptoris Mater (1987.03.25), Ad Caeli Reginam (1954.10.11), Ineffabilis Deus (1854.12.8), etc.

Ah…you found the “Incarnation Doctrine Test” hidden in Gibson’s marian script!

THEY [Athanasius,Council of Ephesus]—not I, or Gibson— made the Incarnation of the Son of God a test of orthodoxy to smoke out the Gnostics in the Church.

You, not THEY, made an “Incarnation Doctrine Test” out of having a positive/negative response to Gibson’s marian meddling. And you smoked out nothing.

Harmon invokes St. Paul against my gebirah argument thus:

You pretentiously presume. Colossians 2:8 condemns the unspeakable blasphemies in the de Liguori quotes which preceded it.

I can hear poor ol’ Paul spinning in his grave right now. LOL

Not surprised. The Esparolini Limbo Centrifuge also had Michaelangelo, “rolling in his grave at Mach speed.”

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Anonymous's picture

Yes, and there’s nothing (except for what you’ve read into it) to connect those “mother-queen” observations to that ornate, mariolatrous entity which Catholics call “the Queen of Heaven.”

You have GOT to be kidding. Let’s try this again as a syllogism:

Major premise: The mothers of the Jewish Kings held a major advisory/intercessory position in their sons’ courts known as “gebirah” (“queen-mother”).

Minor premise: Mary is the mother of the last of the Jewish kings, Jesus.

Conclusion: Therefore, Mary is ____________ ?

(I’ll let you fill in the blank.)

Your Protestant pass is useless. You haven’t yet formed an argument to rebut, so the “evidence,” as you call it, just talks to itself. You also bypassed the same site’s negative “Queen of Heaven” article.

I didn’t “bypass” anything. Apparently, you didn’t read that other article yourself: The article says NOTHING AT ALL about the ancient Catholic and Eastern Orthodox view of Mary as “Queen of Heaven” being modeled on the pre-Christian pagan Ishtar/”Queen of Heaven” moon goddess.

Moreover, the difference between Mary as “Queen of Heaven” and Ishtar as “Queen of Heaven” couldn’t be more enormous, and more basic: To the ancient Assyrians, their “Queen of Heaven” was really the moon (considered the “queen” or “ruler” of the night sky by the ancient pagans; the sky is what they referred to as “heaven”), which was “worshipped by the Assyrians as the receptive power of nature.” (cf. the included link to the Easton’s Bible Dictionary entry, which you apparently “bypassed” in your rush to hasty conclusions).

Please tell us where in any Catholic literature you ever found the notion that Mary personifies the moon, rules the night sky, and should be worshipped as the receptive power of nature?

The ONLY thing the two “Queen of Heaven” concepts have in common is that they use the same words, “queen of heaven.” But what they mean by those words is NOT the same, especially since what was meant by “heaven” to the Assyrians is most definitely NOT the same thing Christians mean by “Heaven.”

The fact that you would even raise such a lame “rebuttal” proves nothing more than that you know how to commit the “Common Trait = Common Source” fallacy.

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Anonymous's picture

Harmon:Ah…you found the “Incarnation Doctrine Test” hidden in Gibson’s marian script!

[quoting me]: THEY [Athanasius,Council of Ephesus]—not I, or Gibson— made the Incarnation of the Son of God a test of orthodoxy to smoke out the Gnostics in the Church.

[Harmon in response]: You, not THEY, made an “Incarnation Doctrine Test” out of having a positive/negative response to Gibson’s marian meddling….

Not so. (WHY do I think this guy needs to take a remedial reading course??? LOL)

The point I raised was that Gibson’ “flesh of [my] flesh…” line was nothing more than an affirmation of the ancient doctrine of the Incarnation. I raised that point in response to your objection that the line was part of Gibson’s “Marian fantasy,” thereby implying that the statement was false, which in turn necessarily amounts to a rejection of the Incarnation.

But as I said subsequently, I’m happy and relieved to know that you affirm that doctrine, even if you’re intellectually inconsistent about it when it comes to Mary.

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Anonymous's picture

To Harmon and any other interested party(ies) on Ligouri:

Since I haven’t read Ligouri’s book and therefore have no definitive opinion on it, rather than us trying to re-invent the wheel here, I’ll direct you to a rather thorough exchange on the subject between Catholic writer Dave Armstrong and a Protestant interloculator who raised the same objections you did:

/testblog/mt-comments.cgi?entry_id=196

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Anonymous's picture

OOPS!!!

I copied and pasted the wrong URL to Dave Armstrong’s page on Ligouri. Here’s the correct URL:

http://ic.net/~erasmus/RAZ54.HTM