ruth

What Will I Get Out of It?

Last week I spent a long time studying the fourth chapter of Ruth, the climax to an amazing story. The bulk of chapter 4 is a description of a legal transaction between Boaz and one of his relatives as the two men decide which one of them will take upon himself the role of kinsman-redeemer. This strange transaction, which is eventually completed not with a signature but with the exchange of a sandal, offered me a glimpse into the heart of these 2 men and, from there, a glimpse into my own heart. Let me explain.

You remember the context, I’m sure. Naomi has been left without a husband and without an heir and, Ruth, her daughter-in-law, has asked their relative Boaz if he will become a kinsman-redeemer. If he accepts, he will take all that belongs to Naomi and he will marry Ruth; the first child born to them will not be considered his child, but the child of Naomi and her now-dead husband, Elimelech. This child will not carry on Boaz’s name and family line, but Elimelech’s. Though it is a significant commitment and a significant sacrifice, Boaz is willing. Before he can do this, though, he must see if this other relative, who is more closely related to Naomi, will accept the role. 

For that reason Boaz calls this man into a formal legal proceeding. He is a little bit crafty, first telling this man only that Naomi is seeking to sell all the land that belonged to Elimelech. He asks if this man will be willing to buy the land. At least for now he doesn't mention anything about Ruth.

From a social perspective it makes a lot of sense to act as a kinsman-redeemer. There is great honor in being a redeemer and carrying out that kind of familial duty. It is probably be like being labeled a philanthropist today--not a bad title to carry around.

A Dramatic Reversal

The first chapter of Ruth sets the stage for a dramatic reversal. It’s the opening of a story and it immediately draws us into the despair of Naomi. At the end of the book’s opening chapter we are left with a very honest but not-so-pretty portrayal of her. She is a woman who has fallen on hard times—her husband has died and her sons have died, leaving her without any grandchildren, without any future.

Through all of the devastation she has become convinced that the Lord is out to get her. She believes—rightly of course—that God is in control, that God is sovereign, but she no longer believes that God is good. She looks at all that has happened to her and she decides that God is opposed to her; he must be. God is strong, but God is not loving. What other explanation could there be? How could a loving God allow all of this to happen to me?

Is there a darker place to be? Could you love or trust a God who is sovereign, who is all-powerful in this world, but who is not good? What kind of a God would that be? Who could worship such a God, a God who controls all things but who is evil or ambivalent, who just doesn't care? That would be a mean and savage God, the kind of God we would all want to flee from. 

No wonder, then, that Naomi is in despair. No wonder that she is so low. To believe that God is all-powerful, to believe that he demands our allegiance, but that he is opposed to us—that is terrifying. No one can trust a God like that. No one can truly love a God like that. Naomi has created a false image of God. Instead of allowing God to speak into her circumstances, she has interpreted God through those circumstances. When her life was good, God was good; now that her life has gone bad, she believes that God is bad.